Quantum Curated
DROP ENDED
TMRW (Tomorrow)
DER GREIF
Two years (and counting) of Covid and quarantine has allowed us to reevaluate the contours of our lives; where and with whom we live, what institutional systems do or don’t work for us, what we keep and what we discard, both materially and psychologically.
1 ETH
0 / 54 pieces
Dutch Auction
March 24th 2022 | 15:00
LAUNCH GALLERY VIEW
54
The Artist
TMRW (Tomorrow), a collaboration between Quantum Art and the online photography platform Der Greif, comprises work by three artists whose work visualizes what an uncertain future may look like.
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The Story
Two years (and counting) of Covid and quarantine has allowed us to reevaluate the contours of our lives; where and with whom we live, what institutional systems do or don’t work for us, what we keep and what we discard, both materially and psychologically. Shaking off what was, and embracing what will be, is necessary.
Quantum Art curators Kris Graves and Roula Seikaly collaborated with the online photography platform Der Greif on a Guest Room open call exhibition. Collections by three artists - Marcin Jozefiak, Julia Kafizova, and Margaret Murphy - were selected for TMRW, a single curated drop of images that imagine what an uncertain future may look like.
In Fearless Flowers, NOT FOR EVERYONE - Volume 2 Marcin T. Jozefiak explores gender, sexuality, gaze, and identity in South Korea. Not interested in nudity for nudity's sake, the photographer strives to present sitters as self secure. Adorned with flowers, the human body represents a universal innocence, timelessness, and purity.
In Fearless Flowers, NOT FOR EVERYONE - Volume 2 Marcin T. Jozefiak explores gender, sexuality, gaze, and identity in South Korea. Not interested in nudity for nudity's sake, the photographer strives to present sitters as self secure. Adorned with flowers, the human body represents a universal innocence, timelessness, and purity.
In Fearless Flowers, NOT FOR EVERYONE - Volume 2 Marcin T. Jozefiak explores gender, sexuality, gaze, and identity in South Korea. Not interested in nudity for nudity's sake, the photographer strives to present sitters as self secure. Adorned with flowers, the human body represents a universal innocence, timelessness, and purity.
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